Wednesday, January 28, 2004
Vol. 8, No. 1
New Year, New Ways to Avoid Writing
Writing about NotWriting, NotWatching TV, and the Simple Life





Hello, and welcome to the twenty-sixth installment of NotWriting.com, an open journal on how one writer spends his time when he really should be writing.

Three months ago, I finished the first draft of a new novel, and since then I’ve been doing everything I can think of to avoid rewriting it.  The strange thing is, unlike most writers, I enjoy the revision process a lot more than giving birth to the book.  Maybe this is because when a book first comes out of you, it closely resembles a newborn baby
covered with blood and fluid, and thoroughly implacable.

Not being crazy about young babies or first drafts, I look forward to working with them once they’ve matured a bit.  This is all my way of saying that I should be excited to sit down and revise the novel, but instead I keep concocting new ways of avoiding the task.  I’d like to share a few of these with you in the hopes that if you find yourself doing something similar, you’ll recognize your behavior for what it isshirking your dutyand not rationalize it by saying you’re doing research.


NotWriting by Writing Articles About NotWriting

Here’s a new one.  A couple months ago, I queried Writer’s Digest with an idea for an article.  My revolutionary idea?how notwriting can actually help your writing.  Just in case you don’t believe me, here’s the original query letter:
 

Dear Editors:

Let’s face it, if all writers actually wrote, instead of talking about it, reading about it, or outright avoiding it, magazines like Writer's Digest would soon be out of business.  For that matter, so would my website, NotWriting.com: Stuff one writer does when he should be writing.

NotWriting.com was chosen by Yahoo! as an Editor’s Best Pick for 2002.  On the site, I have elevated procrastination to an art form with essays like, "The Hershey’s® Wrapper Scandal," "Ode to Dentists," and "Boomerang Marketing: A How-To Guide."

Through this forum I have developed an approach to avoiding writing that will help all writers capitalize on their innate tendency to seek the lowest energy level. With this in mind, I would like to write "The Art of NotWriting," a 1,000-word essay for one of your special creativity issues.  The piece would detail five strategies for making procrastination productive:

1. The Zen of Avoidance: Awareness of what you’re doing when you aren’t at the computer often reveals topics that are important to you.  These topics can lead to heartfelt writing.

2. Get an "avoidance hobby": This should be an activity you enjoy but for which you have zero professional aspirations.  Go to batting cages to work on your swing.  Bake pies.  Work on your train set.  The more un-writerly the activity, the better.

3. Businesslike procrastination: Write query letters, track submissions, answer emails, read Writer's Digest.  You might not be doing your "real" writing, but you’re at least doing something to advance your career.

4. Creative Defibrillators: Sometimes you need a jolt to your creative heart.  Call up your craziest friend and go wherever she wants.  Or, do something you’ve always daydreamed about
bet on the ponies, take a flying lesson, test-drive a car you could never afford.  Or, go mug somebody.  The idea is to force yourself into unfamiliar situations and observe what happens.

5. NotWriting: It's important to play hooky from your "serious" writing now and then; otherwise what should be gratifying will quickly become toilsome.  By writing about what you do or think when you aren’t working on your "serious" writing, you open up new pathways and discover subjects you never knew you cared about.

As a long-time reader of Writer's Digest, I am confident the article I am proposing is one your readers will respond to, probably by beating me with baseball bats.  In addition to founding NotWriting.com, I have been a newspaper reporter for a New York State daily and a weekly, and have been published in regional magazines and literary journals.  In 1992, I received a New York Press Association award, and I took 2nd place in this year's MOTA Emerging Writers Contest.

Is this an article that would interest you?  I look forward to your reply.

Sincerely,

Chris Orcutt


U
sually the best approach with these things is to send it off without expecting a response.  So I did.  A month later, a very nice editor got in touch with me, saying that she loved “the irreverent tone” of the thing. 

To which I wanted to say, “Believe me, honey, there’s a lot more irreverence where that came from.”

Here’s the irony: when I originally queried them, you’ll notice that I proposed a 1,000-word article on this inane subject.  The resulting piece was about a quarter of that.  Fact is, I’m thankful they didn’t want the longer version.  Can you imagine 1,000 words of this crap?  A thousand words on how to benefit from being a lazy prick?

You can read the piece in the special Creativity issue of Writer’s Digest, coming out in June.  Pick up a copy and know that it’s your procrastination that made it possible.

 

NotWatching TV

One of the reasons I haven’t notwritten in a while is that, back in December, Alexas and I were evicted and had to move to a new apartment in a snowstorm.  (We also had to bribe a co-op board member and a building superintendent, but that’s another story.)

Among the many wonders of our new apartment is this one: we can’t get cable TVever.  Why, you ask?  Well, it turns out that our genius neighbors on the third floor built a closet in an old dumb waiter, thus preventing any wiring from being run through there.

The upshot of all this is that we’ve had to resort to other means of entertainment to make it through the long, cold, Northeast nights.  Scrabble, making Rice Krispies squares, and cards.  For about a month, we played like nine hands of gin rummy a night.  That is, until I got the perfect hand (All spades: Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10.  After that, we mutually decided to quit.

Anyway, back to the TV.  Just because we don’t have TV reception doesn’t mean the box is broken.  On the contrary, we still watch TV, but only DVDs.  As of today, Alexas has watched Pirates of the Caribbean 177 times.

Being new to this whole DVD thing, we quickly discovered that it doesn’t make sense to buy all of the DVDs.  I mean, do we really need to own The Muppet Movie?  That’s why we joined Netflix.

Folks, let me tell you, if you like to watch a lot of movies but loathe the lines at your local video store, the lack of selection, the screaming kids, and the less-than-helpful staff (in some cases less-than-sentient), then you need this service.

For $19.95 per month (plus tax), you can rent all the movies you want.  Let me say that again: ALL THE MOVIES YOU WANTand with no late fees.  When they send you a DVD, it comes packaged inside a prepaid mailer so when you’re finished you can just drop it in the mail.  In case you can’t tell, I love this service.
 
 

The Simple Life: Two Rich, Spoiled, Dirty Ho's
Livin' in the Country

This past Saturday, a Netflix envelope arrived and inside was a show that we’d begun to watch when we had cable, but which we’d missed since the move: The Simple Life, starring Paris Hilton and Nicole Richie (Lionel Richie’s adopted daughter).  In case you’re not familiar with the show’s premise, it’s like a reverse Beverly Hillbillies.  Instead of the hicks going to Beverly Hills as newly wealthy people, two snotty rich bitches from Beverly Hills get sent to a farm in Arkansas to fend for themselves (sort of).

Now before I discuss Paris Hilton’s performance on the show, allow me to make this brief, erudite observation about Nicole Richie: 

She is the filthiest, bitchiest, laziest, skankiest,
most spoiled slut I’ve ever seen.  Which is exactly
why I couldn't take my eyes off her.

One example of this can be seen in the following exchange between Richie and a bearded, heavyset guy in a pickup truck.  To earn money, Nicole and Paris have to work at the local Sonic Drive-In, and at the moment when Nicole meets the man, she’s at his truck window, handing him his order.
 

RICHIE:  Lot of food here.  This all for you?

MAN:  No, me and the guys I work with.

RICHIE:  Oh.  You know, you’ve got nice eyes.

MAN:  Thanks, you too.

RICHIE:  So, you a hard worker?

MAN:  Yeah, me and the boys work hard.

RICHIE: Sweat a lot when you work?

MAN: (emphatically, without missing a beat)  I sweat a lot.

RICHIE:  Ever take baths together?

MAN:  Who?

RICHIE:  You and the boys, who else?


In other scenes, Nicole makes out with strangers in the local bar, posts obscene messages on the Sonic Drive-In sign, and proposes a “three-way” between herself, Paris, and the son of their hosts.  Every five minutes, Alexas and I looked at each other in genuine shock over something Nicole did or said.  This is just the kind of gal you want to take home to mom.

Paris Hilton, on the other hand, was surprisingly contrite throughout the seven-episode series.  As Alexas and I watched, I kept hitting the pause button on the DVD player and pointing at the screen.  (And, no, I wasn’t checking her out; I find women that thin to be repulsive.)  I was trying to point out that, as far as I could tell, Paris was making an honest attempt at the humble life.

For example, in one scene, she and Nicole are inside Sonic preparing for the lunchtime rush.  While a grinning Nicole jerks off the shake blender by bobbing her hand up and down until she punches a hole through the bottom of the cup, Paris demurely takes instruction on the drive-in computer.  Maybe I’m imagining it, but when I paused the DVD player, there seemed to be a look of concentration on Paris’s face that had never been there before.  Certain facial musclesthe ones that generate such expressions as intensity, confusion, and self-awarenesswere clearly being used for the first time.  Frankly, I felt a little sorry for her; all that money has robbed her of any pride she might have developed by taking care of herself.  At the moment she took a drink order from a drive-in customer, it looked like she had an epiphany:

Hmm, I might be inheriting $350-whatever million,
but when you really come down to it, I’ve wasted
my life.  I’m a worthless human being, and no
amount of money is ever going to change that.

 


 

THIS IS NOT AN AD: I needed
something tall to fill the space.

 

 


 

 

 



YEE-HAW!: It's another day on the farm
for the nastiest little ho's you ever met.



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NICE, PLAYFUL GIRLS: Yeah, right.

 

 


While Paris demurely takes instruction on the drive-in computer, a grinning Nicole jerks off the shake blender by bobbing her hand up and down until she punches a hole through the bottom of the cup. 


  

 


NO CLUE: Here we see Paris and Nicole ready for a day of
work on the farm.  Nicole, however, is under the mistaken
 impression that the pitchfork she's holding is some kind of
sex toy.  Doesn't she look a bit too comfortable with
her fingers wrapped around the handle like that?



To her credit, at each of the jobs, Paris makes a respectable attempt at being productive.  (Over the course of a month, she and Nicole have about 17jobs, not sex partners.)  The phrase “to her credit” is apt here because it was the 20th Century philosopher Ludwig Wittgenstein who remarked that we should only say something is “to one’s credit” when the doing of the thing goes against a person’s natural inclinations.  In other words, Paris’s “respectable attempt at being productive” is “to her credit” because it goes against her natural inclinationsto be a spoiled, lazy tart who not only has never worked, but who also thinks that Wal-Mart is a store that sells walls.  I’m pretty sure the Wal-Mart bit was scripted, but not that scripted.

Interestingly, despite the 100-point disparity in their IQs, Paris Hilton and Wittgenstein have something important in common: Wittgenstein, too, was the heir to a large fortune.  The only difference is, as soon as the great philosopher got his money, he gave it all away.  Somehow, I doubt Ms. Hilton will follow Wittgenstein’s lead on this.

And so, we come to the end of another profound NotWriting segment, with some questions answered and the difficult ones simply ignored.  As Wittgenstein writes at the end of his Tractaus, “Whereof one cannot speak, thereof one must be silent.”


- 30 -


 

 

WITTGENSTEIN'S ONE-LINER: "A guy
walks into a bar, looking for a
verifiable proposition..."

 

 

 

 





Above: The author, still not writing.  He's
at church, praying for forgiveness,
after watching The Simple Life and
hearing Nicole Richie's filthy mouth.

 

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